FAQs

  • The Pocket Art Toolkit is my everyday, go-to set. It is light and compact enough to accompany any sized outing, and contains everything I need to create for a moment in the moment. Mine is equipped with:

    -a waterbrush (filled with alochol in the winter months to keep paints from freezing!)

    -palette filled with Daniel Smith watercolor paints (pre-dried in their pans)

    -black archival pen

    -white gel pen

    -3.5 x 5.5” Stillman and Birn 320gsm cold press sketchbook

    -shop towel or errant pant leg to clean brushes

    I also regularly use toned paper, pre-cut 100% cotton rag paper, and a variety of brush sizes.

  • It’s an honor to work together to bring your vision to life as a painting, but I’m only able to accept a small number of custom paintings each year. Please reach out to discuss your idea, or to view examples of past commissioned paintings, click here.

  • A selection of my archival prints and stationery are listed on Faire for a streamlined ordering process. Check it out, here.

  • Thanks for asking! If you’re out and about in Alaska you can find a selection of pieces at some of my favorite retailers across the state, including Lichen in Fairbanks, the Alaska Salmon Sisters Flagship Shop in Homer, and Kindred Post in Juneau.

    For the latest updates about retail locations and gallery shows, sign up for my monthly newsletter.

  • Giclée prints are archival-quality inkjet prints, made to last 100+ years. The color and quality are comparable to the original work. Visit this page to learn more about my print and fulfillment process.

  • I aim to be as environmentally and socially responsible as possible in both my personal and professional life. Through art, I convey causes and information related to climate change, Indigenous knowledge, and environmental protection, and donate a percentage of every sale to support local non-profit organizations. To create and reproduce art, I work with local Alaskan, BIPOC and/or women-owned shops, and use recyclable and recycled shipping materials as much as possible. If you have suggestions on how to improve the sustainability of my process, I’d love your feedback.